این ترجمه به‌صورت خودکار آماده شده و هنوز توسط ویراستار فارسی‌زبان بازبینی نشده است. English
Textiles · Appliqué and chain-stitch embroideryدر معرض خطر

Rasht embroidery (Rasht-duzi)

rashti-duzi

آوانویسی: rashti-duzi · همچنین شناخته‌شده به

A northern Iranian needlework tradition associated with Rasht in Gilan, combining wool felt or broadcloth appliqué with chain-stitch embroidery for covers, hangings and saddle cloths.

Rasht embroidery (Rasht-duzi)

Definition

A northern Iranian needlework tradition associated with Rasht in Gilan, combining wool felt or broadcloth appliqué with chain-stitch embroidery for covers, hangings and saddle cloths.

History

Rasht work is widely associated with 19th-century Qajar production and is represented in several museum collections; labels in older collections sometimes group it loosely with other patchwork or appliqué work.

Dates and attributions here summarise common scholarly positions and are under editorial review; they are not definitive.

Technique

Coloured cloth pieces are cut, laid and stitched onto a ground; outlines and fills are then worked in chain stitch, sometimes with a hook (tambour) and sometimes with a needle, often in silk thread.

Collecting and identification

Look at the joins between appliqué pieces, stitch type and the ground cloth; moth damage and fading of dyes are common condition issues.

This guidance is educational only and is not an authentication or valuation service.

Reference samples

The reference samples on this page are documented objects in public collections, shown with their holding institution's attribution and licence. They illustrate the craft and are not for sale.

بازارچه

در حال حاضر هیچ شیئی از این صنعت فهرست نشده است.

Reference samples in collections

Documented objects from museums, archives and auction records, shown for study. Not for sale; attributions are the holding institution's, not CraftPersia's.

  • Royal Round Tent Made for Muhammad Shah, 1834–48

    Royal Round Tent Made for Muhammad Shah

    1834–48

    Interior: wool: plain weave, inlaid work; silk: embroidery, chain stitch; tape, leather; Exterior: cotton, wool: plain weave; rope, iron ring

    Cleveland Museum of Art · 2014.388 · CC0 (museum open access)

  • Royal Round Tent made for Muhammad Shah (wall panel with three design units), 1834–48

    Royal Round Tent made for Muhammad Shah (wall panel with three design units)

    1834–48

    Wool with silk embroidery (chain stitch), rope, cotton, leather, tape; Rasht work

    Cleveland Museum of Art · 2014.388.4 · CC0 (museum open access)

  • Royal Round Tent made for Muhammad Shah (wall panel with one design unit), 1834–48

    Royal Round Tent made for Muhammad Shah (wall panel with one design unit)

    1834–48

    Interior: wool: plain weave, inlaid work; silk: embroidery, chain stitch; tape, leather; Exterior: cotton, wool: plain weave; rope, iron ring

    Cleveland Museum of Art · 2014.388.3 · CC0 (museum open access)

  • Tent Wall Panel(?), 1800s

    Tent Wall Panel(?)

    1800s

    Wool: inlaid work; silk: embroidery, chain stitch

    Cleveland Museum of Art · 1916.1297 · CC0 (museum open access)

منابع و مآخذ

  • Book: Wulff, H. E. The Traditional Crafts of Persia. MIT Press, 1966.
  • Museum catalogue: Cleveland Museum of Art, Open Access collection records for Iranian objects (accessed 2026-09-24).

در جایی که خاستگاه، تاریخ یا نمادشناسی محل مناقشه است، این مدخل روایت‌های رقیب را بیان می‌کند نه اینکه میان آن‌ها یکی را برگزیند. تحلیل سردبیری به‌عنوان واقعیتِ مستند ارائه نمی‌شود.