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Painting, calligraphy and book arts · buyer's guide

Under review

How to buy Illumination (Tazhib)

تذهیب

The decoration of manuscript pages and album leaves with gold and coloured pigments in geometric and floral designs framing text or painting.

What documented Illumination (Tazhib) looks like

Masnavi of Jalal al-Din Rumi, illuminated and illustrated opening, dated 894 AH/1488–89 CE; Iran. Ink, opaque watercolor, and gold on paper
Masnavi of Jalal al-Din Rumi, illuminated and illustrated opening, dated 894 AH/1488–89 CE; Iran. Ink, opaque watercolor, and gold on paperThe Metropolitan Museum of Art · CC0 (Met Open Access) · Source ↗
Page of Calligraphy with illuminated panels, from a Mantiq al-Tayr, ca. 1600; Iran. Ink, opaque watercolor, gold, and silver on paper
Page of Calligraphy with illuminated panels, from a Mantiq al-Tayr, ca. 1600; Iran. Ink, opaque watercolor, gold, and silver on paperThe Metropolitan Museum of Art · CC0 (Met Open Access) · Source ↗

Reference photographs of documented Illumination (Tazhib) pieces, credited to their sources. Compare construction, surface and wear with any piece you are offered — a resemblance is not proof of origin.

Illumination (Tazhib) at a glance

Persian nameتذهیب
CategoryBook arts · Manuscript illumination
Main techniques—
Typical materialspaper
Places of makingisfahan, tabriz, mashhad
Current vitalityLiving tradition

Understanding Illumination (Tazhib)

What Illumination (Tazhib) is and how it is made

History

Illuminated headpieces, medallions and borders are central to Timurid and Safavid manuscripts; contemporary illuminators work in both traditional and new formats.

Technique

Designs are drawn with compasses and rulers, then filled with gold (often shell gold) and mineral or organic pigments, outlined with fine brushes.

Collecting and identification

Gold flaking, pigment loss and later remounting of leaves into albums are common; leaves are often separated from original books.

This guidance is educational only and is not an authentication or valuation service.

General background on the craft, not a statement about any individual object; dates and attributions summarise common positions in the literature and remain under review. Read the full Illumination (Tazhib) entry.

Before you buy: what to inspect

  • Under magnification, hand-painted work shows brushstrokes; prints show dot patterns.
  • Gold on genuine illumination is applied by hand and catches the light unevenly.
  • Check the paper: handmade paper has an irregular texture and edges.

Typical materials: paper.

Red flags: copies and 'Persian style' imports

  • 'Giclée', 'art print' or 'reproduction' in the listing.
  • Paintings on photo paper.
  • Old-looking pages with modern printed text.

A genuine Illumination (Tazhib) piece should come with a named place of making in Iran (often isfahan, tabriz, mashhad) and a clear statement that it is handmade.

Questions to ask the seller

  • Is this an original or a print?
  • Who is the artist, and is it signed?
  • What pigments and paper were used?

What affects the price

Original vs. print
Artist
Detail and gold
Size
Age

Care and cleaning

  • Frame behind UV-filtering glass.
  • Keep out of direct sunlight and away from damp.
  • Handle with clean, dry hands at the edges.

Storage

  • Store flat in acid-free folders.
  • Keep humidity stable.

Shipping

Ship flat between rigid boards, or rolled only if the maker agrees.

Disclaimer

This guide is educational. It cannot confirm that any particular object is genuine, old or valuable. For important purchases, ask an independent specialist. Read the full Illumination (Tazhib) entry.