Ceramics · Architectural tileLiving tradition

Haft-rang tilework

کاشی هفت‌رنگ

Transliteration: kāshi-e haft-rang · Also known as Seven-colour tile, Persian polychrome tile

Square polychrome tiles painted with several overglaze colours and fired together, allowing large architectural schemes to be produced faster than cut tile mosaic.

Haft-rang tilework

Definition

Haft-rang means seven colours, a conventional rather than exact count. The design is painted across whole square tiles which are then laid as a grid, in contrast to mosaic faience where each colour is a separately cut piece.

History

The method became widespread in the Safavid period, when the scale of building programmes made cut mosaic impractical for every surface. Kashan's earlier reputation in ceramics is preserved in the Persian word for tile, kashi.

Technique

Tiles are pressed and biscuit-fired, painted with pigments that mature at a lower temperature than the body, then fired again. Colours that would run together at higher temperatures can coexist on one tile.

Identification

On haft-rang, the grid joints cut straight across the design. On cut mosaic, joint lines follow the outline of each colour. Replacement tiles in a historic scheme often differ slightly in glaze depth and are usually visible in raking light.

Conservation

Salt migration from mortar is the main threat to historic tile. Do not attempt cleaning of crazed glaze; document the condition and consult a specialist.

Marketplace

Sources & references

  • Book: Porter, V. Islamic Tiles. British Museum Press, 1995.
  • Institution: Iranian Cultural Heritage documentation on architectural tile.

Where origins, dates or symbolism are contested, this entry states the competing readings rather than choosing between them. Editorial analysis is not presented as documented fact.