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Preservation · 8 min

Storing and caring for Iranian textiles

Editorial team · updated 2026-06-12

Carpet with Repeating Tree Design, probably late 17th–early 18th century; Iran. Cotton (warp and weft), wool (pile); asymmetrically knotted pile
Related craft illustration; not a demonstration of this guide’s process or evidence of a named place.Carpet with Repeating Tree Design, probably late 17th–early 18th century; Iran. Cotton (warp and weft), wool (pile); asymmetrically knotted pile

probably late 17th–early 18th century · accession 14.40.710 · The Metropolitan Museum of Art · CC0 (Met Open Access) · Photo source ↗

At a glance
Type
Preservation
Reading
8 min
Chapters
8
Photos
6

Light, humidity, pests and physical support — in that order of importance.

Light

Light damage accumulates and cannot be reversed. Keep textiles out of direct sun, rotate displayed pieces, and accept lower light levels for silk, whose dyes are the most vulnerable.

Humidity and pests

Aim for steady moderate humidity and good air movement. Inspect for moth and carpet beetle regularly — larvae work on the underside and in folds, out of sight.

Physical support

Roll rather than fold wherever possible, face outward on a padded tube, interleaved with unbuffered tissue. Support the full weight when moving a heavy carpet; dragging tears the foundation.

Ideal RH
Roughly 45–55%, kept steady
Light
Low, no direct sun
Main pests
Clothes moths, carpet beetles

Set the environment first

Most textile damage at home is environmental. Wool and silk suffer when relative humidity swings: high humidity invites mould and moth, very dry air embrittles silk. Choose an interior cupboard or room away from radiators, exterior walls and windows. Steadiness matters more than hitting an exact number.

Rolling versus folding

Rugs and long textiles should be rolled, pile-side out, along the warp around an acid-free tube or a tube wrapped in clean cotton. Folding creates hard creases that break fibres, especially in termeh with metal-wrapped or silk wefts. If a textile must be folded, pad each fold with rolled acid-free tissue and refold along different lines every few months.

  • Clean before storage — soil attracts pests
  • Wrap in washed cotton sheeting, not plastic
  • Raise off the floor
  • Inspect every three to six months

Dealing with moth

Moth larvae prefer dark, undisturbed, soiled wool. Regular vacuuming of the back of a rug and of storage areas is the best prevention. If larvae are found, isolate the item in a sealed bag; freezing protocols used by museums can be effective but must be followed carefully to avoid condensation damage. Seek a conservator for silk or metal-thread pieces.

Technique and evidence

Start with condition assessment. Light exposure accumulates, folds can become permanent weaknesses and dampness can encourage mould. Insect activity should be isolated and documented rather than treated with household sprays on a historic textile.

Collecting and next steps

Record measurements, fibres where known, existing damage and storage conditions. For loose or powdering fibres, mould, significant stains or valuable objects, seek a textile conservator before cleaning. Never assume a generic washing instruction applies to an old textile.

The steps here are educational; identification, conservation and valuation of an individual object require appropriate independent expertise.

Related photographs and screened examples

Vase Carpet, late 16th–early 17th century; Iran. Cotton (warp and weft), silk (weft), wool (weft and pile); asymmetrically knotted pile
Vase Carpet, late 16th–early 17th century; Iran. Cotton (warp and weft), silk (weft), wool (weft and pile); asymmetrically knotted pilelate 16th–early 17th century · accession 43.121.2The Metropolitan Museum of Art · CC0 (Met Open Access) · Image source ↗
"Floral and Cloudband" Carpet, 17th century; Iran. Cotton (warp and weft), wool (pile); asymmetrically knotted pile
"Floral and Cloudband" Carpet, 17th century; Iran. Cotton (warp and weft), wool (pile); asymmetrically knotted pile17th century · accession 53.214The Metropolitan Museum of Art · CC0 (Met Open Access) · Image source ↗
Garden Carpet, second half 18th century; Iran. Cotton (warp and weft), wool (pile); symmetrically knotted pile
Garden Carpet, second half 18th century; Iran. Cotton (warp and weft), wool (pile); symmetrically knotted pilesecond half 18th century · accession 22.100.128The Metropolitan Museum of Art · CC0 (Met Open Access) · Image source ↗
Silk Animal Carpet, second half 16th century; Iran. Silk (warp, weft, and pile); asymmetrically knotted pile
Silk Animal Carpet, second half 16th century; Iran. Silk (warp, weft, and pile); asymmetrically knotted pilesecond half 16th century · accession 14.40.721The Metropolitan Museum of Art · CC0 (Met Open Access) · Image source ↗
Photograph from Dyad Artisans
Listing image, date unverifiedDyad Artisans (photographer not stated) · Permission status not reviewed · Image source ↗

Representative photographs only. Marketplace examples rely on seller descriptions; CraftPersia has not independently authenticated their maker, origin, or rights status. Follow each source link for the listing context.

Storage choices by textile
TextileStoreAvoid
Hand-knotted wool rugRolled pile-out on tubePlastic wrap, damp basements
TermehRolled or flat with padded foldsHard creases, hangers
GabbehRolled; felt-like pile tolerates handlingLong folded storage
Pateh embroideryFlat in drawer with tissueDirect light
Storing and caring for Iranian textiles: comparison and decision table
SubjectWhat differsWhat to do
LightFading and weakeningShade and rotate displays
PestsLarvae, holes or frassIsolate and seek conservation guidance
FoldsSharp creases or splitsSupport and roll if structure permits

Timeline

  1. On acquisition

    Photograph both faces and record condition.

  2. During storage

    Maintain stable, clean, low-light conditions and inspect regularly.

  3. On damage

    Stabilise handling and consult a qualified conservator.

References and further reading

  1. [1] Victoria and Albert Museum — Caring for your textiles ↗
  2. [2] Canadian Conservation Institute Notes 13 series ↗
  3. [3] Canadian Conservation Institute, CCI Notes, care and storage guidance for textiles.General preventive-conservation context; individual treatments require a qualified conservator.

These sources provide context, not authentication or provenance for an individual object. Editorial interpretations remain under review.